Showing posts with label west Texas ranch scene. Show all posts
Showing posts with label west Texas ranch scene. Show all posts

Sunday, July 13, 2014

Stock Market Longhorns

15x22 watercolor on cold press paper 140 lb, painted as a demo in 2010 for the Snyder Texas art group.  This work is SOLD.
Image COPYRIGHT 2010 Kay Smith.

Tuesday, September 24, 2013

Check Advantage Designs: Personal Fine Art Checks!

Here's one more in my Houses and Barns series, as reproduced on Check Advantage artistic designed checks and address labels.  More selections are now online with this Wisconsin company who does amazing reproductions! To see more of my exciting printed fine art visit this link:
http://new.checkadvantage.com/kay-smith-checks
The old shack above, an original watercolor 15x22, is still available.  The old wooden house is located in O'Donnell, TX..
All my check designs are copyright Kay Smith 2013.

Thursday, July 26, 2012

Stan's Horses on Cracker Barrel Map

This watercolor work is about 9x11 and is a section I cut out of a large Cracker Barrel map of the USA.  I love to eat there and these maps are free that show all their restaurant locations.
Years ago I'd painted this pair of horses in a smaller format and given to my brother Stan.  Unsure if the medium would color the paper enough I did have to use 2-3 washes in this vignette and of course draw the animals larger.  They were eating hay when I took their photograph and the white horse is eating quickly while the bay is watching something at a distance.  Paints used:  Daniel Smith quinacridone burnt orange and gold, UB, manganese, arylide, raw sienna, undersea green, carbazole violet, cobalt teal blue.

Tuesday, May 15, 2012

Cows at the Farm

15x22 watercolor on 300 lb cold press paper, begun yesterday then finished after work this evening. This scene is on our home place between Ackerly and Vealmoor TX and I photographed this cute brown calf et al years ago but never painted it. You can see the old cement stock tank in the background and of course dust everywhere. I especially liked the long evening shadows from the animals' bodies across the picture plane foreground. Fence posts were negatively painted and Daniel Smith pigments were used.  Splattering was done to indicate rocks, hoofprints, and debris in the foreground.

Moonglow Owl

10x8 mixed media on Master's Touch Bristol 103 lb, using watercolor and ink. I've used Grabie technical pens 01, 03, 05 to sketch a...