Adding warm colors to base of trees, still on dry paper, I went across this area to set the trees down. A few warm greens mixed with Arylide, ultramarine, Midnight, and Vitruvius blues were set side by side. Light yellow green areas show just a touch of summer we've left behind. More glazing on backlit trees, each tree being different from its neighbor, was done. This is a design principle called variation that I use a lot with each piece and keeps them from being boring.Sunday, November 21, 2010
Step 8 - Middle ground plus a few greens
Adding warm colors to base of trees, still on dry paper, I went across this area to set the trees down. A few warm greens mixed with Arylide, ultramarine, Midnight, and Vitruvius blues were set side by side. Light yellow green areas show just a touch of summer we've left behind. More glazing on backlit trees, each tree being different from its neighbor, was done. This is a design principle called variation that I use a lot with each piece and keeps them from being boring.
Subscribe to:
Post Comments (Atom)
Frosted Flakes
10.5x7 watermedia on Lanaquarelle 140 lb hot press paper. First I marked tree cone shaped lines with white and grey crayons, then filled i...
-
15x11 watercolor of a very large strawberry painted twice on separate 140 lb cold press Kilimanjaro paper, then cut one into horizontal st... -
8.5x5.5 mixed media on sketchbook 80 lb paper done about a week ago. I used wax crayons to sketch Santa then filled in colors with watercol... -
8.5x5.5 watercolor over colored pencil sketch done last weekend in Masters Touch sketchbook; this cat belongs to artist Christine and her c...
No comments:
Post a Comment