Showing posts with label country flowers scene. Show all posts
Showing posts with label country flowers scene. Show all posts
Wednesday, April 16, 2025
Old Faucet with Sunflowers
11x12.5 watercolor on Kilimanjaro 140 lb cold press paper; Daniel Smith paints. This is an imaginary country still life with the vivid sunflowers, old rusty hydrant faucet and weathered wood barn wall behind.
COPYRIGHT Kay Smith 2025
Friday, June 17, 2022
Barn Poppies
7.25x3.5 watercolor on 140 lb cold press paper completed yesterday for last week's online challenge on WetCanvas; ref courtesy Clea. I have cropped the poppies into a vertical format in this country barn landscape to better focus on them.
COPYRIGHT 2022 Kay Smith
Wednesday, July 27, 2016
Lupines Bluebonnets
8.5x5.5 watercolor and ink (Micron 01 pen) on Masters sketchbook paper done over the weekend. As Texas state flower, the bluebonnet or lupine stands proud and tall in the state it calls home. In various hues of blue-purple and red-purple, the multifaceted plant can be seen as a sea of blue across the mid-state hill country in the spring.
Image COPYRIGHT 2016 Kay Smith.
Image COPYRIGHT 2016 Kay Smith.
Thursday, June 11, 2015
Mexican Red Hats wildflowers
4.25x7.25 watercolor on 300 lb cold press Saunders paper, wet in wet wildflowers that grow all over town.
Image is COPYRIGHT 2015 Kay Smith.
Image is COPYRIGHT 2015 Kay Smith.
Sunday, May 24, 2015
Zinnia and Butterfly
22x15 watercolor on 140 lb cold press paper from one of my older photos of studio zinnias that I was lucky enough to have camera ready when the butterfly stopped by for a visit.
Image is COPYRIGHT 2015 Kay Smith.
Image is COPYRIGHT 2015 Kay Smith.
Sunday, April 19, 2015
Odessa Sunflower - demo today
15x22 watercolor on Kilimanjaro 140 lb cold press paper done today for the Odessa Texas Art Association live demo program. I photographed the sunflower in 2003 in that town as Leada Wood and I were traveling for an art meeting; many other photos from that day have been painted but not this one. About 1.5 hours was the time limit. This is wet on dry using 1" flat sable brush and these pigments: Quinacridones burnt orange and gold, Prussian, ultramarine and Bice blues, arylide and cadmium yellows, and new gamboge. A very wet Blue Bice (American Journey) hue was the main background color. As an opaque, it had to be thinner. Note the two small lavender and brown shaded moths.
Image is COPYRIGHT 2015 Kay Smith.
Image is COPYRIGHT 2015 Kay Smith.
Sunday, April 21, 2013
Fresh Cosmos on Yupo
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