Monday, February 27, 2012
Cruet and Pear still life
15x22 transparent watercolor on Italia 140 lb cold press paper of a ripe pear, clear cruet and glass bottle with lacy linens. When painting glass it is important to paint what you see which are reflections for the most part. A proper balance of values is vital, too, when planning your layout and palette, and don't forget bounce light. This golden light reflects from the pear to the clear glass sides of the cruet. For the lace cut-outs some are freehanded while other "holes" are placed strategically using a large round paper doily as a stencil.
Subscribe to:
Post Comments (Atom)
September Poppies
6x4 watercolor using Rosa Gallery (Ukraine) paints, an imaginary loose floral based on the inked poppies done the day before in mid-month. ...
-
12x4.75 watercolor and ink on old ledger paper done a few days ago. I drew the bird with a black Tombow brush pen then added watercolor, ...
-
20x16 torn paper collage on wrapped canvas started yesterday (see the first phase posted below) then finished up today. Using various hea...
-
15x11 watercolor of a very large strawberry painted twice on separate 140 lb cold press Kilimanjaro paper, then cut one into horizontal st...

2 comments:
I especially like the tension of the pear against the glass. This is a really good painting.
wow, beautiful effect!
Post a Comment