Saturday, September 7, 2024

Warrior Chief

20x15 watercolor on 140 lb cold press paper, a commissioned piece done back in 1995 when I'd been painting watermedia for two years. This work is SOLD. COPYRIGHT Kay Smith

Friday, September 6, 2024

Poppy Path

8x8 watercolor; I used a limited palette of aureolin, ultramarine, and permanent rose paints on 140 lb cold press paper by Master's Touch. First I did a wet in wet underpainting using the 3 colors. When dry, pencil sketched them in then went with what I felt like rather than using local color. Lastly, different color splatters were added to dry painting. Ref courtesy of artist Christine. COPYRIGHT 2024 Kay Smith

Thursday, September 5, 2024

Farm Horses

15x22 watercolor on Saunders 140 lb cold press paper, another one of my early farm animal paintings based on my dad's sorrel horses. This work is SOLD. It was painted wet in wet in 1993 when I seriously began learning watercolor. From the photo I had taken, this group was analyzed for its darkest dark color values then those were put in first. COPYRIGHT 2024 Kay Smith

Wednesday, September 4, 2024

A Rowdy Rooster

6x6 acrylics and ink using STA 0.8 pen on Master's Touch 80 lb sketchbook paper done at end of August; ref courtesy another artist. COPYRIGHT 2024 Kay Smith

Tuesday, September 3, 2024

Texas Horse Farm

6x6 watercolor on paper done today, a quick colored pencil sketch in Master's 80 lb/Daniel Smith paints. From two different refs, I created an imaginary Texas horse farm. The viewer has to imagine there are other horses around maybe in the pasture or other side of the red barn. COPYRIGHT 2024 Kay Smith

Monday, September 2, 2024

Southwest Vignette

15x20 watercolor on 140 lb cold press paper, an imaginary scene showing a southwestern trading post and cowskulls I painted years ago. I included red pepper ristras and an old wagon wheel. This work is SOLD. COPYRIGHT 2024 Kay Smith

Sunday, September 1, 2024

Gull Alert

6x9 watercolor done on 70 lb paper in sketchbook towards the end of August while on a trip (ref courtesy another artist) using White Nights paints. I cropped out most of the other parts of the photo to focus on the seagull close up. COPYRIGHT 2024 Kay Smith

Emerging Poppies

9x6 ink using black Tombow brush pen on Master's Touch Bristol 103 lb, done second week of this month, a quick demo for class. Using n...