Adding warm colors to base of trees, still on dry paper, I went across this area to set the trees down. A few warm greens mixed with Arylide, ultramarine, Midnight, and Vitruvius blues were set side by side. Light yellow green areas show just a touch of summer we've left behind. More glazing on backlit trees, each tree being different from its neighbor, was done. This is a design principle called variation that I use a lot with each piece and keeps them from being boring.
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Bright Sun
7x9 watercolor on Masters Touch 80 lb paper in sketchbook done last week as part of a WetCanvas challenge I set up. Participants were given...
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15x11 watercolor of a very large strawberry painted twice on separate 140 lb cold press Kilimanjaro paper, then cut one into horizontal st...
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24x9 inches, watercolor on Strathmore 140 lb paper, Daniel Smith paints, completed yesterday during a timed exercise on a weekend drawing e...
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5.25x7.25 watercolor on Lanaquarelle 140 lb hot press paper previously done. This hummingbird has his eyes closed as he sits in a shallow ...
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